In 2004, when I was a student at UBC I
was given an assignment for my Canadian Poetry class: Go see a live
poetry reading, interview a published poet and write a review of the
performance. I went to what was at the time a weekly gathering of
spoken word poets, “Thundering Word Heard.” T. Paul Ste. Marie
was a poet well known in the Vancouver community, and I had had the
honour of meeting him and Shane Koyczan at the Vancouver Folk Music
Festival a year or two earlier when they were there as performers. Backstage, we joked in the lunch and dinner lines for volunteers (me) and
performers (them) while we waited for our free meals. Their unique
personalities and senses of humour led me to seek out their
performances at the festival, and they did not disappoint. I quite
enjoyed their slam poetry at Folk Fest, so when I needed to find a
poetry reading for class, it seemed natural to go to a poetry slam hosted by T.
Paul and frequented by Shane - who you might recognize from his
performance at the Vancouver Winter Olympics. I absolutely LOVE Shane's Remember How We Forgot:
I had a great time at Thundering Word Heard, and meant to go back repeatedly, but only made it out to one other performance. T. Paul passed away unexpectedly in 2007. He used to open every TWH night with his slam poem “Invocation,” insisting on audience participation.
Here is the review I wrote, followed by the Q&A's I managed to get some of the performers to participate in. I wish TWH was still a weekly event, as I am sure it would be a treat to re-immerse myself in that world. I would be sure to raise a glass to T. Paul, while remembering not only his passion, but that which he insisted upon inspiring in others.
********************************
March
14th,
2004
Café
Montmartre: Thundering
Word Heard
Enter a dark, low-lit
Parisian-style café, narrow yet deep. Tea lights on each narrow
table are flickering in the breeze caused by the door propped open to
Main St. at 28thAve. A combination of pop-art, photographs, mirrors
and prints cover the walls as an old-fashioned tricycle and a pair of
gauze and feather wings hang suspended from the high ceiling. The
audience fills the many tables, reaching far into the back of the
narrow café. It is 9pm on a Sunday at Café Montmartre.
T. Paul Ste. Marie steps up to
the microphone as his theme music plays. He asks the audience "what
do we need?" "Passion!" is the weak but unanimous
reply. "I'm sorry, what
do we need?" "PASSION!" shouts the audience. This
play between host and audience evolves into T. Paul's weekly
recitation of his poem "Invocation." He pauses
intermittently to ask the audience what is needed. Each time the
response is "PASSION!" "We've got to EXPAND on this
vocabulary, form a mental constabulary arresting ignorance at hand
because knowledge IS power." T. Paul finishes his invocation
with the following lines: "And some days they split atoms. And
some days they kick stones. Today they find our voice."
After completing the
introductions, T. Paul calls to the feature performer of the night,
Paulie Lipman, an American spoken word artist currently touring the
West coast. Lipman has been writing poetry for 18 years, has
produced two chapbooks, You
Are Here and Evolution
of a Dork In Progress,
and two CD's Doing the
Door and What's
With All The Shouting!?
All of Paulie Lipman's published works are available through his
website fearofsilence.com.
Before taking the stage, Paulie
climbs atop his chair in the middle of the café and shouts "I
am feeling the spirit tonight! Now the subject for this evening's
sermon is rooted in the utterance of the Lord communicated unto Larry
who occasionally dabbled in prophecy. And on the eve where Larry
contemplated whether or not to give this prophet gig a shot, the hand
of the lord doth appeared in the heavens and the lord doth proceeded
to righteously bitch-slap Larry. All the while proclaiming: BE NOT
HALF-ASSED!" This is the beginning of Lipman's poem "Potential
Damnation" in which he preaches not religion, but individuality.
The poem holds a caution to measure people by their actions, not by
their "potential."
This touching poem is followed by
the comical "Lacka-Assa-Tosis" in which Paulie Lipman
describes his "medical condition" of having no behind.
While his poems contain a substantial degree of humor, Lipman has a
number of insightful messages to share with his audience. Having
dropped out of college, Lipman believes in the school of life.
"Sometimes ya gotta quit reading and writing… get out and
live." When asked if he had any words of wisdom for aspiring
poets, Paulie Lipman replied: "Keep at it. A goal to strive for
is to be personal and universal at the same time." He certainly
achieves this goal in his own work.
Following Lipman's performance,
the open mike portion of the evening begins. Poets and musicians are
each given ten minutes to perform. Some performers choose to combine
poetry with recorded tracks of music and background noise, while
others read from their own chapbooks. The most entertaining moment
of the evening occurs when accordion-playing Rowan Lipowitz asks if
there are any requests from the audience. A joker in the back of the
café calls out "Hit Me Baby, One More Time!" Instead of
going on to a more serious suggestion, Rowan indeed begins playing
and singing the pop song. There is little in this world that can
compare to a thirty-something Jewish, accordion-playing man singing
one of the best-known and most-hated songs to emerge from the
commercial pop-music industry.
Once the crowd has contained
their laughter, Vancouver poet Fernando Raguero takes the stage and
performs a number of his works, many of which can be found in his
chapbooks two
dragonflies mating on my toe
and one hand tied
behind saturn. "Ode
to Suburbia" scoffs at the cookie-cutter style of suburban
greater Vancouver. Raguero's single-line poem "Warm"
paints a vivid image of downtown Vancouver. "It gives me a warm
fuzzy feeling when I see two crack dealers overcome their differences
and embrace." His poetry contains simple, everyday language
which does not hide the message with "too many big words."
Raguero encourages poets to "keep things simple, there is great
beauty in the ordinary, things don't have to be complicated to be
great." Raguero's final poem "Measuring Stick" is a
tribute to "all those who have been called weird of strange or
whatever." Through the poem, Raguero points out that the
"weird" and "mad" person's perspective can be a
wonderful thing.
The night continues with a number
of performances both of spoken word and music. Cole Robertson
performed for the first time, reciting his poem "What can we
know of another?" T. Paul encouraged Robertson and the other
first-time performers to return and share more of their work in the
following weeks. Cole Robertson's self-published Chapbook "What
Happens" is currently only available through the author. If his
performance is any indication of his ability, his work will soon be
found in more established publications. Cole's advice to other new
spoken word poets? "Write all the time. Perform even if you
think you aren't good. You'll get better."
As the evening draws to a close,
Laughs are had, tears are shed, and Thundering
Word Heard founder and
host T. Paul Ste. Marie brings a special energy to the evening. New
performers are given warm support and encouraged to return.
Returning performers of varying skill and renown are welcomed back to
the stage. The audience is energetic and supportive of all
performers. The food and coffee are amazing. I recommend attending
Thundering Word Heard's
open mike night each Sunday from 9 to midnight. Those wishing to
perform should arrive at 8 to sign up. Arrive early as the tables
fill quickly.
****************** Q&A ************************
****************** Q&A ************************
Cole Robertson:
What
poem(s) are you performing tonight?
"What
can we know of each other?"
How
long have you been writing poetry? Do you write prose as well? Do
you prefer one over the other?
3
years. Yes. No.
Do
you have any published work? Chapbook(s)?
Sort
of. (He
gave me a copy of his chapbook "What Happens")
How
long have you been participating in spoken word?
This
is my first one.
Do
you have any words of wisdom or encouragement for the aspiring poets
of tomorrow?
Write
all the time. Perform even if you think you aren't good. You'll get
better.
Paulie
Lipman (Featured Performer):
What
poem(s) are you performing tonight?
"Potential
Damnation," "Lacka-Assa-Tosis," "First Ever,"
"DJ," "Orion's Example," "History After
Hours," "Slowly Written Suicides"
How
long have you been writing poetry? Do you write prose as well?
18
years. Not really, no.
Do
you have any published work? Chapbook(s)? If yes, where would one
find these works?
Yes
2 chapbooks (You
are Here and
Evolution of a Dork in Progress)
2
CD's (Doin
the Door
and What's
With All The Shouting!?)
Available
at fearofsilence.com
How
long have you been participating in spoken word/ poetry slams? What
drew you to this particular form of poetry?
About
4 years, slams I heard about from a friend of mine. What drew me to
it was the energy and honesty of the audience.
Do
you have any words of wisdom or encouragement for the aspiring poets
of tomorrow?
Keep
at it. A goal to strive for is to be personal and universal at the
same time.
Any
other information you feel would be beneficial to English Lit. and
Writing students at UBC?
Sometimes
ya gotta quit reading and writing… get out and live for that is
what inspires the writing.
Fernando
Raguero:
What
poem(s) are you performing tonight?
Some
old, some new.
Among
them were: "Ode to Suburbia," "Warm," "Bukowski
Can't Save Me," "Measuring Stick"
How
long have you been writing poetry? Do you write prose as well? Do
you prefer one over the other?
I've
been writing for twenty years, just poetry, prefer poetry.
Do
you have any published work? Chapbook(s)? If yes, where would one
find these works? Under what title(s)?
Two
chapbooks, [you can] get them from me.
"two
dragonflies mating on my toe."
"one
hand tied behind saturn."
How
long have you been participating in spoken word?
4
years, [I] heard about it about 4 years ago.
I
like it because it's spoken, you are forced to listen.
Do
you have a favorite Canadian poet/writer? Have they influenced the
content or style of your own writing?
Favorite
Canadian poet: Leonard Cohen.
I
am influenced by Charles Bukowski.
Do
you have any words of wisdom or encouragement for the aspiring poets
of tomorrow?
Keep
things simple, there is great beauty in the ordinary, things don't
have to be complicated to be great.
Any
other info you feel would be beneficial to English Lit. and Writing
students at UBC?
Don't
use too many big words.